Gil Evans to Miles Davis, Holger Czukay to the ensemble known as Can, Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That's the only way to explain the specificity of Four Tet and Madlib's collaboration, in this special album that showcases a two-decade-long friendship that has resulted in what follows Madlib's classics like Quasimoto's The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs.
KING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues. Feeling compelled to reshape the biblical archetypes that once bound her, Esfandiari has created a theatrical tale of rebellion, tragedy, and triumph — a metaphor for her own personal experiences over the years — Celestial Blues was born. Celestial Blues is at once a masterclass on crushing atmospheric doom, and at times a sobering take on the weightier sides of shoegaze. At the album's core, a palpable tension can be felt. Acoustic guitars soar before descending into a darkness of riff-heavy distortion. Drums build upon these moments and explode into a cacophonous groove. Esfandiari's voice remains at the forefront; somber moments lead to burning intensity and crescendo. This ebb and flow is constant. Recorded in Oakland, California by GRAMMY-nominated engineer Jack Shirley (Deafheaven, Amenra, Oathbreaker) Celestial Blues sees KING WOMAN take a daring step forward as one of the genre's luminaries, releasing one of the year's most evocative records.
At long last, the definitive version of With Teeth, meticulously prepared by Trent Reznor, Atticus Ross & NIN art director, John Crawford. Remastered in 2019 on 180-gram vinyl, with lots of details attended to that you may never notice but we care about.
Released on “marbled white and southern flames yellow” vinyl. Ounce for ounce, decibel for decibel, few bands can even approach the fury that is Pantera. For years they have been unleashing their anger in front of rabid crowds who have helped them sell millions of albums without MTV or heavy radio airplay, and now they are back with a new album of their most dynamic, fierce and unruly rock to date.
The mysterious Sault return with album number three that was announced when the whole album was played on BBC 6 Music's Gilles Peterson's show. This is the most essential album for 2020. The 18 track album is an absolute joy whilst delivering a powerful message. Each tracks title nods towards revolution, expression and a celebration of black culture. The sound once again mixes R&B, funk, soul and hip-hop together. For fans of classic soul, ESG and groove
Acid Dad is an American alternative-rock band composed of singer-guitarists, Vaughn Hunt and Sean Fahey, and drummer, Trevor Mustoe. Vaughn first started recording the band in his Bushwick, NY basement releasing singles “Brain Body” and their first EP “Let’s Plan a Robbery.” Appearing live in the New York City rock scene in 2016, Acid Dad quickly moved to a world stage with their self-titled debut album, released by Greenway Records in 2018.
During 2020, the band spent their time building a new studio space in Queens, NY, while continuing to independently produce all their own music, art and even building their own guitars. With a new space and vision, the band produced their second LP, “Take It From The Dead,” set to be co-released in June 2021 by Brooklyn’s Greenway Records and psych powerhouse LEVITATION’s label, The Reverberation Appreciation Society.
“Take It From The Dead” features an array of different influences ranging from 90’s neo-psych, modern post-punk and 70’s rock-n-roll. Acid Dad has crafted a record that sounds new, yet feels nostalgic. In contrast to their earlier work, they make use of slower tempos and expand their sound to include songs that are both more intricate and more hypnotic. To accompany the new record, the band spent the last year collaborating with video artist Webb Hunt, producing psych and glitch art videos that form a visual counterpart to the dreamy distortions of their sound.
Night Beats, the Texas-born brainchild of Danny Lee Blackwell, are releasing their fifth full-length album ‘Outlaw R&B’ on May 7th via Fuzz Club. Made during the height of the California wildfires (where Danny now resides), rioting in the streets and a nation in lockdown, ‘Outlaw R&B’ deals in a psychedelic and R&B-infused garage-rock sound that’s “bathed in post-apocalyptic bliss”. With four albums now behind them – their self-titled 2011 debut, 2013’s ‘Sonic Bloom’, 2016’s ‘Who Sold My Generation’ and 2019’s ‘Myth of A Man’ – Night Beats have garnered a reputation as one of the finest purveyors of contemporary rock’n’roll hedonism around.